I love the sound of the trees in the breeze.
If the forest
is so clearly musical,
why can’t it play the guitar while I sing Nirvana
covers?
Jarod Kintz, This Book is Not FOR SALE
Hey everyone, welcome back to another session of The Art of
Caesura!
I hope you’ve all had a good week and are hanging up the
shamrocks for St. Patrick’s Day next Thursday! I’m heading to Rome in the
morning for a few days which I’m super-excited about, but don’t worry I’ll be
back in time for next week’s entry!
This week I wanted to talk about another hobby of mine: we’ve
been looking at miniatures, drinking some beer, and how about adding some
guitar to the mix?
Just to whet your appetite:
Now, today I want to introduce you to two of my pals and the
stories behind them: Portia and Vlad.
My parents bought Portia for me when I graduated from my
undergrad. Her name came about because, from the body shape she’s clearly
female, and with the Florentine cut (the awesome sharp cutaway) I needed an
Italian name. I’m a bit of a Shakespeare nut and so I was thinking of strong,
Italian women from Shakespeare’s plays and settled on Portia from The Merchant of Venice. Whenever I
introduce her to people, they think it’s Porsche,
but you guys know the truth!
Portia is an Epiphone PR-5E, she’s an electric-acoustic with
a stunning sunburst spruce top and mahogany body with a rosewood fingerboard. She’s
got a body that turns heads, not only for the Florentine cut but also because
the body of the guitar is narrower than a lot of dreadnaughts so she sits
closer to your body. In order to
compensate, so that there’s still enough area inside for the sound to resonate nicely,
the back end is bowled out bigger than usual. And the tone is lovely.
I play a lot of different styles of music, but recently with
Portia I’ve been playing more folky stuff: The Decemberists, Sufjan Stevens,
Sarah Harmer…
But now the main event (sorry Portia) I want to introduce
you to Portia’s big brother: VLAD!
Vlad has been with me almost from the beginning of my
guitar-playing days. I learned to play guitar when I was 14 on my mum’s old
Goya (with brütal sky-high action that killed me at the time, but in retrospect
was great for learning guitar) taking guitar lessons for about a year and a
half. In that time, I borrowed my uncle’s beautiful candy apple red American-madeFender Strat. I worshipped that guitar, but because it wasn’t mine I was a
little too precious with it and was almost scared to use it properly in case I
chipped the finish or something. I inherited another uncle’s crappy Kyoto (a Japanese-made
acoustic) which became “The Beater”. Its action was refreshingly (fret-buzzingly)
low and it was already beat up when he gave it to me (he’d got it when he went
to a friend’s wedding in Japan – they had, like a 25-course meal or something,
and after dinner, as a wedding present, the restaurant gave the bride and groom
this guitar, but neither of them played so they gave it to my uncle) so that
was the guitar that joined me on night-time walks, camping trips and beach
bon-fires.
I’m afraid Goya and The Beater are at my parents’ house in
Canada, so I can’t show you pictures.
After playing my uncle’s strat for a summer (demonstrating
to my parents that I was dedicated to this guitar thing) I saved up all the
money that I’d earned working my first full-time summer job at a grocery store,
went to Long & McQuade and first clapped eyes on Vlad.
It was love at first sight. Gibson had just released their
Voodoo Series a month or two before: these are mega-guitars. Vlad is an SG with the wicked devil horns, he has a swamp
ash body (actually!) that is stained black and then the wood grain is rubbed with
red filler so you can actually see the red wood grain leering out from the
black. I love that. The ebony fretboard has no fret markings except for a red
pearl voodoo skull at the fifth fret. And the juju humbuckers are mismatched
black and red. Awesome. On top of all that he came in an imitation python-skin
case. My God, he’s perfect. And man, does he growl!
My fiancé often jokes that if the house was burning she worries that I’d grab him first instead of her!
Wow, that was fun to talk about, I better restrain myself or
I’ll go on all day! I hope it wasn’t a boring stroll down memory lane for you
guys. Let us know about your instruments – the love, the hate, the origin
stories!
Until next time folks, thanks for tuning into The Art of
Caesura.
Listening: Parlez-Vous Francais – Art vs. Science
Reading: 20 000 Leagues Under the Sea – Jules Vern
Drinking: Nothing! I’ve been working nights, which aren’t
too conducive to a jar!
Gaming: Wolfenstein: The New Order
Next Week:
Some of the bands I've been using these beautiful instruments with...
Next Week:
Some of the bands I've been using these beautiful instruments with...
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